Day of the Fight

Stanley Kubrick's debut work. In this case – one day in the life of a real boxer Walter Courtier.

Fear and Desire

The tape became the debut feature film for director Stanley Kubrick and for a long time was considered lost.

The Seafarers

The tape became the debut feature film for director Stanley Kubrick and for a long time was considered lost.

Killer's Kiss

The film was shot with a minimal budget and often without official permission for full-scale shooting from local authorities.

During this period, Stanley Kubrick Jewish financial difficulty due to the disastrous picture. in 1953, Stanley Kubrick's father left his insurance to help his son make his first movie.

The film is based on Lionel White's novel "The Big Jackpot".

The Killing

In 1992, the film was included in the National Register of the Most Significant films in the history of the United States.

Paths of Glory

Spartacus

Kubrick was not given control over the script, which he considered "stupid moralizing." Since then, Kubrick has completely controlled the production of his paintings.

Lolita

Kubrick noticed 14-year-old Sue Lyon, who had previously worked on television for a year and starred in commercials. After meeting with Lion, Kubrick presented her photos to Nabokov, who approved the choice. Lyon was signed to a seven-year contract.

Dr. Strangelove

The film is based on the novel "Red Alert" by Peter George.

2001: A Space Odyssey

The crew of the Discovery spacecraft — captains Dave Bowman, Frank Poole and their onboard computer HAL 9000 — must explore the area of the galaxy and understand why aliens are watching the Earth. Many unexpected discoveries await them along the way.

A Clockwork Orange

The film is based on Anthony Burgess' novel A Clockwork Orange Burgess's first impression of watching the movie Kubrick arranged for him was terrible. The writer's wife and his literary agent wanted to leave after the first ten minutes.

Barry Lyndon

Kubrick always selected the music for his films himself. As a rule, he used well-known classics. As the soundtrack to the film "Barry Lyndon", he used Handel's forgotten "Sarabande".

The Shining

To immerse the film crew in the necessary psychological state, Kubrick showed them the film "Eraser Head"